omkara

Back from a week in the north, where the colour, vibrancy, urbanization seem exuberant in contrast with this gentle South, of muted tones and temples, of stones, granite and rain, of safety and calmness. Watched Omkara at the Delhi Film Festival, an Indian take on Othello and it was remarkable to see how far along Indian cinema had come, in terms of mastery of plot, screenplay writing, authentic dialogue, setting and scenes and cinematography, while still retaining a uniquely Indian look, feel and sensibility. The movie was let down only by the acting, which unfortunately is where the Indian talent falls short, but there were some stellar performances that transcended script and directing. Particularly I think Saif Ali Khan who valiantly tried to come to terms with the script and Ajay Devgan who merely stalked around as a brooding general, both these performances missed the genius of the original writings, to show the complexity of these man, Othello and Iago. Nevertheless before the movie came on, Vivek Oberoi came out in person to talk to the audience for a brief Q & A and impressed us with his charm and sheer heart (something I think that every Indian person has) and gallantry, thus forgiving his innate lack of intelligence and sensitivity.

shantaram

Getting through Shantaram right now, despite the initial scepticism, a friend made me read the first page and then I immediately went and bought the 936 page doorstopper and am wending my way through it now, and reading it now, ensconced in the North, brings alive the beating heart of an India that I had never quite known I had known. It seems that it is very easy to fall in love with men who are in love with life and some people have a wisdom, born from having fought the difficult fight, without losing their hope or idealism. Despite its lack of literary talent (read discipline) and knowledge of literary grammar, yet, there is a honesty to the writing, a soaring romanticism and a deep understanding of life, through the author, who for all his faults, has never been afraid to live and to most of all, love. And what more could one want in a book?

"The voice, Afghan matchmakers say, is more than half of love".

" The past reflects eternally between two mirrors- the bright mirror of words and deeds and the dark one, full of things we didn't do or say"

"Sometimes you break your heart in the right way"

i love india

So, I love India.

I know its a tired cliche, and I've hated it on many an occasion too, but I actually adore the subcontinent. Who would've even thought for a second that I could live anywhere else except in this part of the world now that I have made it here? Of course I still think Sri Lanka is god's gift to planet earth, and that Eden like it has never existed before or after (and like Eden, its inhabitants are similarly cursed, but it seems as though wars are always fought in paradise). Am off to Delhi tomorrow for a week, and the bustling pitch of the north can be compared to the south, and the exuberant hindi spoke on the streets will ricochet off the extreme poverty (more so than in the South) and maybe I'll venture out to some teak/jasmine/coconut/rubber plantations armed with a survey and ask them ridiculous questions and maybe I'll fall in love with life all over again, because its home, and this craziness will always be home. And tonight I am going to watch shivaji and it'll be awesome and nothing in my life will capture my senses as much as an indian film, and that too a tamil film!

and a google quote seems particularly apt: play: work that you enjoy doing for nothing. which is exactly what I'm doing.

excerpt

Paul Theroux from the Guardian's Great Escape

In the monsoon season of 1970, I boarded the MV Keningau in Singapore bound for Borneo. The ship was small, not much bigger than a ferry, the inexpensive way for rubber-tappers and their families to travel to the plantations of East Malaysia. They were down below - hundreds of them, off to work. I was sailing to Kota Kinabalu, for the fun of it, and also to climb Mount Kinabalu. In a few months, my wife would be giving birth to our second child, and this was a selfish and solitary jaunt, before I became fully engaged as a father of two. I also had the notion that this solitude would help me in my writing project at the time, a novel with the provisional title Saint Jack, about a middle-aged American who dreams of getting rich in Singapore. In my small bag with a change of clothes were my notebooks and my book for the trip, a hard-cover copy of VS Naipaul's novel A House for Mr Biswas. Because there were so few of us in first class, we all ate together: the captain's wife and his son; a planter's wife, part-Malay, and her small son, in the cabin next to mine; and a Tamil lawyer, travelling on his own - he was about my age, which was 29. What seems like a cast for a Maugham story was in fact a pleasant and sedate group. The captain and his family were friendly people but all of them chewed food with their mouths open, a family trait I have never encountered anywhere else. Some evenings, I played cards with the Tamil and the planter's wife, usually the game of Hearts. Then I became engrossed in the Naipaul novel, slipped into the life of the Tulsi family and its odd-man-out, Mohun Biswas. The novel is without mannerisms, seems almost not to have a style, yet is so detailed and humane, it offered me a whole world; and as with the greatest novels, it made me care. I memorised a paragraph beginning "The mind is merciful . . ."
"Paul's laughing," the planter's wife said from the card table.
"At a book!" the Tamil said.
I hardly noticed the voyage. Most of the time, I was in Trinidad with Mohun Biswas and Anand. I was dismayed that in a day or so I'd be finished with the book, and I thought - as young writers do - I could never write this. But the passion of this novel helped me see that I had my own novel to write.

Oct 20 2004

from an old email.

Today, my world changed and my life was dragged along with it. It wasn't a big dynamic change, announced with lightning and moving tectonic plates, as one would imagine these things were. It was instead, a shifting of sands. The world as I knew it fell away from me for an instant, and when the clouds had stopped blurring everything was the same again, although imperceptibly changed. I had finally discovered who I was, and who i could never be again. I was a writer.

Whether time would tell me if I was good or not was irrelevant. Today I found out who I am. Whatever I had expected upon attending his reading, I had not expected this. I had not expected this instant awareness, this instant attraction. I felt as though upon meeting him, an old memory of mine was rewoken. I felt as though I had known him my whole life and I felt as though I had the rest of my live to devote to him. It is known that I am particularly susceptible to passions. But I knew his body too,his vigour, his quick movements belied the hyperawareness of a man not used to people or to society. A man uponst whom everyone else necessarily imposed themselves on. A man who I had fallen in love with when i was 16.I know that all this will seem incredibly fanciful, and melodramatic. A writer has to write a story about everything and this will seem one in a thread of many. but believe me when I say this, I had not expected this. I had expected to be provoked, to be stimulated, to see the head that had produced lines that were never to be forgotten,etched into my awakening mind at 16. I had not expected this... absolute knowledge.I could not take my eyes off him. He was home, as in Sri Lanka, a land he knew better than me, a land that he had written about much more evocatively than I could ever hope to do so, he represented the West, and its voices, but most horrifically of all, the thing I did not expect, was that he represented a Dutchman living in Asia. Of which all had one in common, the same alert piercing eyes, the same uneasiness with which they integrated into society, the same hesitance before they spoke ofthemselves. He reminded me most of someone I had once known deeply, of Home, of the war and of the book that had changed my life.

All this I could not tell him, although I wanted to. For the first time that evening he spoke of himself. And I could tell after he spoke, for he ended abruptly as though having spoken more than he had wished to, that it was as surprising to him as it was to me. He spoke of how he had started to write another novel set in Sri Lanka, but the voice and the structure was similar to Anil's ghost and so he had stopped. He spoke also of how he had gone back, how he had gone back after Anil's Ghost and how he would always continue to go back.I could no longer speak. The man's voice when he read of the history of stones, of writings in leaves of palimpsests, of genesis,of lives in Polonaruwa and places I thought only I knew about, for none of my friends or people knew this except my parents. And he said something that he didn't say to anyone else, this man of few words, this man who said it took him 2 years to read his own book out to the public because that was how long it took him to be comfortable with the own characters he had written. The man who had refused to talk about the work he was currently engaged on.Perhaps I am romanticizing as I am wont to do. but this encounter, I can only tell you in this moment, my life changed. I had gone into that room, thinking of being a writer, and I had come out, knowing that I wanted to write something that he would be proud of.

ode to studio 60

the best scene in studio 60- the now officially defunct Aaron Sorking post-West Wing comedy? The scene where the black jazz musicians from hurricane-ravaged Katrina play music without lyrics to scenes of new orlean and the snow falls on the stage. The soaring notes of the trumpet and the softer deeper notes of the saxophone send chills down the spine. And then bradley whitford delivers his line: .....but you'd better get a head start because I'm coming for you.

another day in madras and I don't want to leave. prospects of clubbing madras style tonight. Yeah! any excuse to drink imported liquor at exorbitant prices, spend the night at the friend's place because I have a curfew of 10pm and wake up to die another day. And my eye is improving so I don't look like something out of a porn/horror film. Nice.

mumbling

I'll die as I have lived, with a book in my hand says manguel perhaps?.
I'm tired. and i want to lay down somewhere and i want the universe to stop spinning and I want the earth to slow down and I want to read and mull and not do much of anything else. except I have always dreamt of thinking, of having time to think, of walking and thinking and sleeping and thinking, but I only at best, have an hour to think everyday and that too only because I refuse to come to work after I get up and I lie in bed after a shower, with the fan whirring, thinking.

reading the reluctant fundamentalist now and while it is delicate it is not subtle and neither is it revelatory but resorts to narrating the cliched experience of fundamentalism, painting Princeton on top of it does not change it, nor imbue it with gravitas. madras is lulling me constantly to sleep and think I have also developed a mild version of madras eye. on another note, a conversation or two does not actually change reality, even if it offers the brief hope of choosing an alternate reality, yet in that choice between vectors, a whole host of other inevitables are at play and one can change some, but as lincoln said you can fool some of the people all the time and all of the people some of the time, but you can't fool all of the people all of the time. likewise with one's self-awareness and the inevitability of certain behaviours at the ripe old age of 26.