bowel movements

Descended into the depths of an ionic/doric column encased faux roman building, otherwise known as Widener Library, to discover an old interview in a now-defunct tattered African journal, with Michael Ondaatje. One hour later, I emerged victorious and slightly dazed, for the quality of the interview, the unguarded responses, was well worth the hour spent in the bowels of Harvard Yard.

I know that (all four) readers of this blog are vividly acquainted with my obsession with Ondaatje, but perhaps not all are acquainted as well with his oeuvres, and so here is a standalone passage, from Anil's Ghost, which might hint to others, of greater works behind.

He was staying at his aunt's house in Boralesgamuwa, and she and her friends were playing bridge on the long porch that surrounded the house. He came towards them carrying a lit candle, shielding the flame. He placed it on a side table a yard or so to the right of them. No one noticed this. He drifted back into the house. A few minutes later Gamini crawled on his belly with his air rifle through the grass, stalking his way from the bottom of the garden towards the house. He was wearing a small camouflage hat of leaves to disguise his presence even further. He could almost hear the four women bidding, having halfhearted conversations.

He estimated they were twenty yards away. He loaded the air rifle and positioned himself like a sniper, elbows down, legs at angles to give him balance and firmness, and fired. Nothing was hit. He reloaded and settled in to aim again. This time he hit the side table. One of the women looked up, cocking her head, but she could see nothing around her. What he wished to do was shoot out the flame of the candle with the pellet, but the next shot flew low, only a few inches above the red porch floor, and hit an ankle. At that instant, simultaneous with the gasp from Mrs. Coomaraswamy, his aunt looked up and saw him with the air rifle hugged against his cheek and shoulder, aiming right at them.