"Trust me, this will take time but there is order here, very faint, very human. Meander if you want to get to town."- M. Ondaatje
Tuesday, March 25, 2008
reading
Have been submerged in reading, watching, writing, and breathing in the silence. It has expanded my heart right now, like nothing else could. I live in many worlds now, in Old pre-war Britain, amongst the cobblestones of Merton and Magdalen, watching two lovers embrace,
Placetne magistra?
Placet.
And then into Trinidadian Port of Spain, watching a young boy married on the proof of a letter, at 13 to a young girl who lives with a large family, and his quest for his own identity, making signs, that say Trespassers Forbidden and watching his clumsy grabs at significance, watching what Naipaul has said, that in postcolonial societies, empire has denied humans the chance to make a real life, a significant life.
And then most favourite of all, into the early seventies, into northern California, into ranch country and seeing three people who grew up together split up after a single act of violence, watching one boy going into the gambling dens of the time, another fleeing into France to piece together another's life, and always the silence between the words.
All done listening to Tamil music from the 80s, sung by the irrepressible S.P. Balasubramaniam.
If I could preserve this moment, and more, this feeling, I really do believe that this is all I need. And that this may be all that I come to have, at least, that which is in my control.
We'll have the life we knew we would.
Monday, March 24, 2008
Spring!
Sunday, March 09, 2008
confusion
a) Epistemology: the branch of philosophy that investigates the possibility, origins, nature and extent of human knowledge.
b) Ontology: a branch of metaphysics that deals with what is being?
c) Teleology: The study of final causes, particularly in relation to design or purpose in nature
kim
Thursday, March 06, 2008
A Tale Of God's Will (Requiem for Katrina)
I wanted to say thank you again for taking the time out of your busy schedule, coming to Harvard and playing for a bunch of people who don’t know much about jazz, but who know a lot about work in homelessness, education, health, policy and government. We have been receiving emails all day from the proud few who stayed on to listen to your talk, about how that part of the Conference, was enough to make the whole day worthwhile. Did you know we had a team from Japan that flew in to hear you? That was the Japanese guy in the front row who asked you the first question: “How do you make jazz?”.
What you said when you talked to us was true. All you gotta do is to get one person. That’s all you have to do. Well you got more than one person buddy. You got some of the ‘right’ people, if I may say such a thing. There are requests already to know more about the Thelonius Monk Institute, from people who WORK at Harvard Business School and questions about collaboration with the institute, and even questions about Herbie Hancock!! I will pass them on in a more formal fashion, but I just wanted you to know first. (My favourite comment was from someone who said she cried during your performance, and another who said you brought a raw dose of humanity to the conference).
I can only apologize for what must have seemed like something rather unplanned, given that you’re used to high-profile events and, you came to a student run event which was just being held together at the seams. Well, even though it was student-run, it was 40% attended by professionals, and the rest were Harvard students, so at the risk of sounding arrogant, they’re people who’re going to find life a little easier, and will have a strong sense of service especially when they see people like you, playing their heart out, spreading the word about New Orleans, and talking and talking and never giving up, despite how tired or discouraged you may be. So you have made one more small step, in changing the world.
When I first saw you talk with Mitch in New Orleans way back in November, I thought to myself, this is a guy who’s got the Bill Clinton touch! He makes it seem like he’s only speaking to you, but in fact he’s speaking to a whole room. It made you suspect!! It was the first time that I formally heard of you, but then I went back and watched Spike Lee’s stuff, and there you were, at every moment, when the heart needed words that the mind could not express. And then I heard your music and I thought, whatever anyone can fake, there’s no way you can fake that.
I am from Sri Lanka. You may not have heard of it, but in Dec 2006, a tsunami came and washed away 60,000 people. And I was there right afterwards, and I stayed for 2 years, and I saw the things that I saw again this past November in New Orleans, and I was so surprised because I thought, this is the United States! There’s no way that this could happen in the United States? I thought it only happened in countries like mine, where the rich were so rich and everyone else was so poor, and when all their uninsured homes got flooded away, the government let five star hotels buy beachfront properties, instead of giving it to fishermen who’d lived there, right next to the sea, for generations. And no amount of money from abroad was enough to compensate for the failures of the government and the sense of abandonment.
But it happens everywhere. I’m still trying to record it down, to remember it as honestly as it happened. Which brings me to my last point. I have always wanted to be a writer. Whether I will have the courage to pursue the truth of that journey is another story. But listening to your music, which so exactly charted the journey of my heart and soul those two years, I was silent. Because you are a true artist, and I can’t even imagine how difficult it must have been to compose something that you can only see with your eyes closed. I don’t have the words to really say what I want to express, but I found a truth in your music that I rarely find in art. And I can only imagine how exhausting and difficult it must be to relive that every time you perform. So finally, for the dedication and perseverance that you give to your art and your music, I commend you, as someone who dares to hope to follow in your footsteps. What you are able to do with your music, and the commitment to New Orleans that you have which is evident in what you speak, is true example to me, when I get discouraged about my own country, and about my lack of courage to follow my heart.
Tuesday, February 19, 2008
rajnikant
I have been waiting to use that line on someone since I heard it a week ago and I busted it out today! Yay!
A discussion on Rajnikant yesterday got me thinking. Why was I, self-labelled thinking woman, professing (what was undoubtedly my father's projected) love for Rajnikant in front of a group of very attractive woman. Sometimes I feel like the unloved Southern cousin of dusky skin, and outgrown teeth and frizzy hair next to Northern women with olive skin, dark obsidian hair and a certain je ne sais quoi to them. And then just to make sure the balance is firmly tilted in my favour, I profess adoration for a certain gentleman who has most emphatically lost all his hair (and now has hair implants that lie in a hairsprayed comma over his forehead so he can dramatically flip it back- this gesture btw was during his heydays where every young man in bell bottoms grew out a comma of hair to do the same, including this author's father), is darker than night, was a bus-conductor (one step away from women's tampon dispenser) and is skinnier than a twig, subsisting on a diet entirely composed of alcohol and pattu (cow dung ash).
But! Appearances can be deceptive. For while the rest of the world may have hangups about his appearance, he certainly does not. In fact there's a whole Tamil song devoted to the way he walks (thangamahan from Baasha). There is a whole sub-industry devoted to replicating his khaki autorickshaw driver-policeman-bus conductor shirts. There's his smile, full of bad teeth, that somehow inspires wellbeing. There's above all, his confidence, his energy, his Lutheran stance of : Here I stand, I can do no other in his movies. Truth, justice and the American way! Here's to Rajnikant and many more really bad movies.
Tuesday, February 12, 2008
barf
Study Questions
Study Questions
1. Does the author's fuck-you tone contribute to the theme of the poem as a whole?
2. Compare Elimination Dance with "The Rape of the Lock'-with special emphasis on the use of zeugma
3. Is the author's use of simple language a conscious attempt to mask his social agenda OR is he an unconscious victim of his own prejudices?
4. Diana Whitehouse-where are you? I knew you when I was 14 years old. I heard our name mentioned over the loudspeaker at Heathrow Airport in 1989. Please contact me c/o Brick Books, Box 38, Station B, London, Ontario, Canada N6A 4V3
5. Does the figure of the mountie in the poem function as a textual censor-sensor?
6. Is the central theme of choice an illustration of rational elitism or animistic determination?
Questionnaire d’étude
1. Est-ce que le ton ‘va-te-faire-foutre’ de l’auteur contribue au thème de ce poème?
2. Ecrivez une dissertation qui compare La Danse eliminatoire à la Boucle de Cheveux dérobée – soulignant l’usage du zeugme.
3. Croyez-vous que l’auteur se rend compte que son langage simple déguise ses perspectives socials où est-il une victim inconsciente de ses propres préjugés?
4. Diane Whitehouse- ou êtes-vous? Je vous connaissais quand j’avais 14 ans. J’ai entendu votre nom sur les haut-parleurs de l’aérogare Heathrow en 1989. Prière de me contacter a/s Brick Books, CP 38, Succursale B, London, Ontario, N6A 4V3, Canada
5. Le Personnage de la Gendarmerie royale dans le texte, agit-il en tant que censeur ou en tant que phénomène sensorial?
6. Croyez-vous que le thème du choix, sujet central du texte, fasse prevue d’un élitisme rationnel ou d’un déterminisme animiste?
Sunday, February 10, 2008
Poothathamby's Treason
Notes on Jaffna, American Ceylon Mission Press, Tellipalai, Ceylon 1923
Thursday, February 07, 2008
to jp, with love
Ultimately this is what the postcolonial novel, with characters engaged in conflicting internal dialogues that are writ large at the level of the nation, does. It gives a voice to those whose voices are long gone. It takes a bottom up view, and not a top-down policy view, and addresses the very real question of morality, the idea that dare not speak its name in the hallowed corridors of policy. In the end it concludes that a true resolution of what is right and wrong cannot arise out of dogmas about imperialism, religion or ethno cultural hegemony, but must arise out of an unflinching examination of the human condition and the dictates of its time. When a novel has survived this interrogation, when its reflection of its historical moment has rung true throughout the ages, then it becomes a classic, worthy of our time and study, to understand more of the great expanding mysteries of the human condition. Without this primordial knowledge, the study of policy becomes a mere exercise in academic futility.
ash wednesday
The other anecdote which I truly find eccentric, and it is not many that qualify to that aspirational label, in my books is of a corporate finance professor at MIT, whose class a good friend attends. Said professor, by name of Asquith (whose famous theory shows that stocks that are heavily shorted tend to underperform in the long run), conducts lessons from a bed. Due to back problems, the Professor cannot stand or sit for more than 5 minutes at a time, and for the past ten years, has a bed wheeled into the auditorium, from which he lectures, prone, with his head propped up on one hand, and a dutiful assistant scurries about on the blackboard behind him. To intellect, academia, and the ability to do what you want!
Wednesday, February 06, 2008
Heart of Darkness
I apologize in advance to the readers for the next few weeks will likely be talking about certain books and literature, for this is one chance in a lifetime, for me to recover what another lost youth could have looked like.
Tuesday, February 05, 2008
bowel movements
I know that (all four) readers of this blog are vividly acquainted with my obsession with Ondaatje, but perhaps not all are acquainted as well with his oeuvres, and so here is a standalone passage, from Anil's Ghost, which might hint to others, of greater works behind.
He was staying at his aunt's house in Boralesgamuwa, and she and her friends were playing bridge on the long porch that surrounded the house. He came towards them carrying a lit candle, shielding the flame. He placed it on a side table a yard or so to the right of them. No one noticed this. He drifted back into the house. A few minutes later Gamini crawled on his belly with his air rifle through the grass, stalking his way from the bottom of the garden towards the house. He was wearing a small camouflage hat of leaves to disguise his presence even further. He could almost hear the four women bidding, having halfhearted conversations.
He estimated they were twenty yards away. He loaded the air rifle and positioned himself like a sniper, elbows down, legs at angles to give him balance and firmness, and fired. Nothing was hit. He reloaded and settled in to aim again. This time he hit the side table. One of the women looked up, cocking her head, but she could see nothing around her. What he wished to do was shoot out the flame of the candle with the pellet, but the next shot flew low, only a few inches above the red porch floor, and hit an ankle. At that instant, simultaneous with the gasp from Mrs. Coomaraswamy, his aunt looked up and saw him with the air rifle hugged against his cheek and shoulder, aiming right at them.
Monday, February 04, 2008
chronoschism
This novel is characterized by those abrupt breaks in time, that Ursula Heisse calls , "chronoschisms", ruptures that postmodern novelists, unlike their modernist predecessors, refuse to assimilate to the "unifying time of the individual mind". That is, the politics of Sri Lanka, seem to reflect back postmodern notions of the collapse of grand narratives, the fragility and impermanence of identity, the failure of history to provide us with a coherent account of our origins, and the moral ambiguities of action and character in a world where cause and effect are endlessly complex. That nothing lasts, that granite monuments crumble, seems to drive him to value the briefest fragments of time, to respect the moment of absolute love or generosity, the flash of intuition, the graceful walk of a young woman who will not survive another day. The artist's ability to identify fragments of beauty and nobility, even in times of terror, matches the scientist's ability to identify "permanent truths, the same for Troy as for Colombo," in the mineral traces of a soil sample.
Margaret Scanlan
Sunday, February 03, 2008
Whimper anew
Then watched Juno at 3pm with friends because it was Friday and there was nothing else to do. (I also bumped into Robin Williams the night before at Red House, a charming restaurant with a crackling fireplace where copious amounts of wine was imbibed- he was battered, newly out of rehab, all hairy, but with an irrepressible twinkle in his bright eyes). I finished my case which took 9 hours of bleary-eyed work, far more than ever anticipated. And more importantly; WHO'S YOUR DADDY?!! Because I secured the redoubtable Terence Blanchard, a Grammy Award winning jazz musician to come and play at the conference, from his new Grammy-nominated trumpet album: Tales Of God's Will; A Requiem to Katrina. (http://www.terenceblanchard.com/).
Then Friday night was spent at a 5 hour dinner with M and C, getting drunker and drunker, sillier and sillier, talking about a certain very attractive lieutenant-colonel in the airforce (who does not vote, which sends C into tizzies everytime, sketches apples and trees, separately and is from a family of union members), classes, and our quadrangle of love. And we are getting ever closer to the end, at the end of the first week of class, and talk of graduation and the summer and families meeting families are in the air. In that spirit, here is a poem I have posted before...
God Abandons Antony,
When suddenly, at the midnight hour
an invisible troupe is heard passing
with exquisite music, with shouts
your fortune that fails you now, your works
that have failed, the plans of your life
that have all turned out to be illusions, do not
mourn in vain
As if long prepared, as if courageous,
bid her farewell, the Alexandria that is leaving
Above all, do not be fooled, do not tell
yourself,
it was a dream, that your ears deceived you;
do not stoop to such vain hopes.
As if long prepared, as if courageous,
as it becomes you who have been worthy of
such a city,
approach the window with firm step,
and with emotion, but not
with the entreaties and complaints of the
coward,
as a last enjoyment listen to the sounds,
the exquisite instruments of the mystical
troupe,
and bid her farewell, the Alexandria you are
losing.
Constantine. P. Cavafy, 1911
Wednesday, January 30, 2008
Itinerantly yours,
What is this world we live in now? Are those of us who truly cannot stay wedded to anything, who burn with the desire to be relevant, but who have a heightened capacity to enjoy the quotidian, perpetually unfulfilled? Incapable of generating interactions that culminate in stability? Icarus drowning? I don't know. All I know is that this itinerant lifestyle shows that there is a tunnel at the end of every light.
This is what comes of having far too much time on one's hand, watching more House, My So-Called Life and Big Shots all in one day. As CNS says "How can you possibly have such good taste in literature but such masala taste in films?"!
Tuesday, January 29, 2008
shattered glass
Here is an excerpt, shamelessly stolen from another blog, but extraordinarily prescient, for the newest reader of my blog, JP.
back then, knowing myself beloved, exuberant in your presence, I was the flowering tree: daily transforming, girl-child to tree, careless of blossoms, daily unleafed, daily budding, lavish with words, immoderate in joy, a willing daphne, bride of the king's son.
Monday, January 28, 2008
banana bread
ripe bananas
walnuts
dessicated coconut
some flour, eggs, muscovado sugar and olive oil
bake and eat.
Sunday, January 27, 2008
glass
Tuesday, January 22, 2008
carolina girl
Monday, January 14, 2008
The Light on The Hill
"We have a great objective - the light on the hill - which we aim to reach by working the betterment of mankind not only here but anywhere we may give a helping hand. If it were not for that, the Labour movement would not be worth fighting for.
If the movement can make someone more comfortable, give to some father or mother a greater feeling of security for their children, a feeling that if a depression comes there will be work, that the government is striving its hardest to do its best, then the Labour movement will be completely justified. "
The above is an excerpt from the 1949 speech by Australian Prime Minister Ben Chifley and is regarded as one the seminal moments in Australian politics. (it IS australian politics after all). An otherwise unremarkable phraseology, but notable because it is going to be quoted in a good friend's wedding ceremony, as a couple's joint identification with the best of the spirit of service.
Sunday, January 13, 2008
middle east peace crisis
Monday, January 07, 2008
tyger
So I went and bought a cactus. Despite my best efforts, I am sure it will survive.
And then, there is this from Salman Rushdie: "Writing is as close as we get to keeping a hold on the thousand and one things – childhood, certainties, cities, doubts, dreams, instants, phrases, parents, loves – that go on slipping, like sand, through our fingers.”
Finally, why does every Economist article about the LTTE quote Blake?
The Tyger
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?
In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare sieze the fire?
And what shoulder, & what art.
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?
What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?
When the stars threw down their spears,
And watered heaven with their tears,
Did he smile his work to see?
Did he who made the Lamb make thee?
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?
1794
back in beantown
On another note, my family and I met a budding author with a book to be published in April 2008, called Love Marriage about diaspora Lankan tamils. I will wait for the book to write comments.
Was met at the airport by C who had received Cold Comfort Farm from me for his birthday and was still laughing a week later to the irritation of his spouse. Its always good to have friends. Crashed into bed after such such travel, (excerpt from nytimes.com on skymall: " Also, you will find the SKYMALL CATALOG, from which you may order a product called “Poop Freeze,” described as a spray refrigerant that “chills animal waste to -62°F, creating an outer ‘crust’ that enables you to quickly place in a bag and dispose.” Feel free to spend the remainder of the flight trying to process this information.). It was however mitigated by Singapore Airlines, in homage to racial harmony screened marudhamalai an absolutely abysmal Tamil film saved only by starring arjun. (At moments like this, I am hugely impressed with Singapore politics).
Woke up this morning at 630am, spent a few hours jobless, chatting on the phone. Then went to the supermarket for some MAJOR shopping. A 166 dollars later, I was cooking black bean chicken with sugarsnap peas and green peppers, lemon roasted beans, red onions with walnuts and jasmine rice. Opened a bottle of bordeaux, promptly downed a glass, chomped away watching A Preacher's Wife and now I am heading to bed and its only 2pm. Still have a infrastructure paper to write on British Water, and a memo for class tomorrow, but slowly slowly does it. Oh bed!!
Wednesday, December 12, 2007
Live Life
There are three conceptions of an "economist" self.
a) The Developing Country is my White Man's Burden (i am solving their poverty)
b) I am a Greek/Arthurian hero: A Dragon Slayer (slaying poverty)
c) I am a Nietzchean Hero: Self-Expression (solving poverty is about me)
whatever it is, I cannot be your therapist. But here it is; make your mark. Leave a Legacy. And live life as an epic adventure.
Monday, December 10, 2007
paralysis
I DON'T KNOW WHAT TO DO WITH MY LIFE.
Thursday, December 06, 2007
Business School vs. Policy School
A Business School Student (quotes taken from the business school website)
5:40am: Alarm goes off. I quickly debate whether I should call my trainer, Joe at Shad Gym and tell him I can't make it.
8:39:50am- The doors close, silence falls, and class begins at 8:40am on the dot
10:00am: I go to the gift store (the Coop) to see if they have screen protectors for my new high tech cell phone
11:40am: I feel actual angst over whether to join the sushi or the pasta line. Oh the decisions we MBA students must make!
1:00pm: Yay! Its a two case day, which means naptime. Sleep is precious!
3:00pm: Back in my cosy corner room, I check email- no urgent communication with potential employers. I will try to get through the LCA ase before 4pm when Tony Robbins speaks in Burden.
4:00pm: Like the Swiss Railway system, the Tony Robbins presentation starts on time. Before I know it, he has us hugging, jumping, yelling and cheering. An hour well spent.
7:30pm: I head across campus and reach the Grille at Spangler within three minutes. The food is great! Jenny, one of the friendly chefs, humourously greets me in Chinese and prepares my usual meal.
8:50pm: It has been a full day. I shower and look over my notes for tomorrow.
A Public Policy School Student (taken from anecdotal and personal experience)
5:40am: Go to sleep. Wake up five minutes later after a nightmare about a monstrous p value and thank god I have three more hours of sleep. What's Shad?
8:39:50am: I conduct a cost benefit analysis of waking up and conclude costs outweigh benefits.
10:15am: Slide into seat, five minutes late for class. Wince in pain upon remembering that I didn't do the reading on detainee interrogation in Guantanamo bay today. Open Facebook. Raise hand in class to talk about how a democracy cannot support capital punishment instead.
11:40am: Consider buying lunch, but remember I'm broke. Instead I hover near the table outside Executive Education classroom, trying to pounce on pastries and fruit when no one is looking.
1:00pm: Spend ten extra minutes getting to class because of traffic jam on Littauer Steps. Democratic Caucus students and Republican Caucus students are going at it on Huckabee. Stop by cafeteria anyway due to excess acid from excess coffee. Dry Chicken Wrap or Wet Chicken Salad Wrap? Dry.
3:00pm: Back in my cozy Forum couch, I check email. No communication with potential employers. I will try to get through my first reading of the day before 4pm when some motivational speaker guy talks about stuff across the river. Free coffee there.
4:00pm. Like Amtrak, I show up 20 minutes late to the speaker as my cheap shoes can't handle the ice, only to realize that I would rather shoot myself in the head than work in the private sector.
7:30pm. I read some blogs. Then I start a response paper due at 9pm on human rights in Iraq.
8:50pm: Start reading 200 pages and plot downfall of nemeses before heading to the computer lab to print out work. Thwarted by a group of ping pong enthusiasts in Taubman. End up at 11pm in Tommy Doyle's after the the third cost benefit analysis of the day leads me to join in.
May we
I think I can safely say that there have been ups, there have been downs, but there's never been steady and that I have always lived, in interesting times.
More interaction with men who call me ma'am (in an 'un-old' way).
The question was posed today: What would you do if you have 2 million dollars to spend in New Orleans post-Katrina? Would it go to housing, or charter schools, or primary care for the uninsured, or at-risk youth programs, or job regeneration programs, or small business incubation?
My answer: I would spend 2 million dollars, finding out what the people of New Orleans wanted, from top to bottom, across racial lines and across class lines. Not what we think they need, but what their demand is, which is entirely different. Then I would see where those demands are aligned, and then I would be able to map potential coalitions and get a consensus around a plan of recovery, and especially from getting some of that 180 billion dollars assigned to Gulf Coast recovery.
On another note, more talking about fantasy/extremist ideology: The heart has been fed on fantasies, the heart has grown brutal from its fare. Its so dangerous and so compelling to accept some kind of all or nothing in life.
And the last note: I have made a major discovery about myself: I would be rather happy than be accomplished.
Wednesday, December 05, 2007
hubris
Jules: And what's Fonzie like? Come on, Yolanda! What's Fonzie like?
Yolanda: Cool?
Jules: What?
Yolanda: He's cool
Jules: Correctamundo! And that's what we're gonna be. We're gonna be cool.
Pulp Fiction
And ma'am. I'm a sucker for any man who calls me "ma'am". As in "Yes, ma'am".
Tuesday, December 04, 2007
minus 8 degrees celsius
Sunday, December 02, 2007
bachelorette
On the other note, I am absolutely beat and it is the weariness that sleep just isn't going to solve and one which needs 2-3 weeks in a coma. Thank god that is only ten days away for I really have reached the end of my tether.
NB. Should any of my friends organize a stripper for me in any occasion, I will suffer permanent trauma.
Friday, November 30, 2007
om shanti om
Sunday, November 25, 2007
enchanted
Tuesday, November 20, 2007
a day in the life of
Next I talked to C, who has the flu, before he flies out to DC for final round interviews. C is a prime example of one who crossed the aisle, working with both the Carter Institute and IRI and now viewed with suspicion by all myopic Dcites.
Next I changed my flight to come back home early and had a meeting to craft our negotiation exercise on two “stan” countries that have a water conflict and are bombing the hell out of each other.
Then I had a meeting about the conference and our 22 panels and shaping them into tracks of giving, institutions, governance, services and innovation. (I know how innovative). We might bring in jazz musicians from New Orleans to play some compositions about the storm.
Next I had class on valuing a Brazilian state owned power distribution company and how the bankers (as usual) wanted to value it as low as possible (as they were representing international bidders) and the crazy assumptions on the discounted cash flow models they were using. Thank god I am no longer doing that every day of my life.
Next I had a meeting with my thesis advisor. We are writing a group thesis with ACCION, the largest microfinance provider in terms of asset valuation, about formulating a new code of conduct for equity investments in international MFIs. We think we might be able to travel to Paris in January for “research”. AHAHHAHAA.
Next I had office hours and tutored students on foreign exchange and forward contracts. I didn’t realize I actually knew something about this until I realized everyone else knew less than me.
Then I went to trade class, looking at free trade agreements and the cotton case brought by Brazil against the US to the WTO dispute settlement system. Suffice it to say that as usual I did none of the reading and was at sea, so finished reading about Northern Ireland.
Next I met with my co chair on our conference in our weekly meeting. We talked about creating a blog on our site for incubating future enterprises as well as further tired ideas.
After that with my team from MIT, two doctoral students in mechanical engineering and I are involved in a business plan to provide advertising/media access to rural villages for our developmental entrepreneurship class.
Then a brief pitstop at the gym while dwelling on how four days of food at New Orleans can seem like heaven with hell to pay for. Watched a James Bond movie onscreen. Bumped into a whole lot of people and found that one friend was dating another friend. OMG!
Then out for dinner and drinks with the crew who I haven’t seen for a WHOLE week since I’ve been in New Orleans. Besides catching up with the usual gossip, I think we crafted an idea for me to do a reading and research study next semester instead of a class on doing a negotiation analysis of why the Sri Lanka negotiation talks failed (and will fail).
Then back home, thinking that I had a few minutes to throw laundry and whizz around cleaning the room, but instead my room mate had broken up with her boyfriend so 2 hours went into a post-mortem. Suffice it to say that I have become a pro at all of this.
Finally, catching up on email at 1am, researching flights to Asheville, NC for a wedding in january, changing my flight to go back home to Singapore early, calling Singapore and Oz, and waiting to put my laundry into the dryer so I can legitimately fall into a dead faint.
NB. This is just for my records and for posterity, for it to feel like that my day wasn't entirely taken up by pace, but by substance too and that the incessant activity might have actually been productive, and not just a submission to the tyranny of the urgent.
Monday, November 19, 2007
New Orleans
The rest of the US may have forgotten two years later, exactly how and why the levees broke, and why there is an extraordinary amount of buck-passing aroundabouts here, but the people of New Orleans themselves haven’t forgotten. The jazz is still here, whether at Preservation Hall, or elsewhere and this is of course the home of Buddy Bolden, subject of a novella by Ondaatje called Coming through Slaughter.
We went to a jazz club, owned by the legendary Antoinette Doe (an ex-Ikette with Tina and Ike Turner). Her husband, K-Doe was a one hit wonder way back in the 60s I think, and then turned to drink and died shortly afterwards. She had a life-size wax replica made of K-Doe her husband, clothed him in his trademark red velvet jacket and white crisp cravat, and put him in a wheelchair and takes him everywhere she goes, in a black hearse. They dine together at respectable places and the waiters serve him as though he was real and all of New Orleans knows about it. Can I tell you that this is who I want to be in my old age (and have every likelihood of becoming?!) We also went to Dooky Chase, an old establishment of around 50 years, home to the plotting of the early civil rights movement and the early jazz musicians. Ray Charles was served there!.
I also met John Thompson at a dinner. John spent 18 years on death row, with one capital punishment sentence and 49 years of another life sentence, for two murder counts. After 18 years, DNA found him to be wrongfully convicted on both counts and he was released. He has now founded Resurrection After Exoneration, a transitional home for ex cons and exonerees, to overcome the pull of recidivism and start a new life. A sweet black man, he had spent most of his life to date in jail. 40 days after he got out, he got married to a) over come deprivation!!! (in his own words) and b) lock himself into a life so he wouldn't feel the urge of "institutionalization". He went through seven execution dates, and always got a stay of execution at the last minute. He was led to the chair seven times, and thought he was going to die seven times. How does one come out of that alive? with hope and strength and conviction? How does one overcome the fact that 18 years of one's life are spent in a prison cell? I don't know but John is testament to hope not in institutions, but in human beings. He was convicted at the age of 22, when he was involved in drug dealing and had sold the murder victim coke right before someone killed her. As he said: that judge could have slapped ten life sentences on me and I wasn't going to open my mouth. i was a black man with an all white jury in Louisiana in the 80s. They could have blamed Kennedy's assassination on me. What a travesty of injustice.
Such is New Orleans, this crazy beautiful city of brokenness and abandonment, energy, resilience and spirit. Katrina was a storm that exposed race, poverty, corruption and inequality to America, and the City will never be the same again. As one person put it, this was one of the last strongholds for black power in America and now its gone, to be replaced by Martin Luther King's white power structure.
Monday, November 05, 2007
neruda
Poetry by Pablo Neruda
And it was at that age,
Poetry arrived
in search of me. I don’t know, I don’t know where
it came from, from winter or a river.
I don’t know how or when,
no, they were not voices, they were not
words, nor silence,
but from a street I was summoned,
from the branches of night,
abruptly from the others,
among violent fires
or returning alone,
there I was without a face
and it touched me.
I did not know what to say, my mouth
had no way
with names
my eyes were blind,
and something started in my soul,
fever or forgotten wings,
and I made my own way,
deciphering
that fire
and I wrote the first faint line,
faint, without substance, pure
nonsense
pure wisdom,
of someone who knows nothing,
and suddenly I saw
the heavens
unfastened
and open,
planets,
palpitating plantations,
shadows perforated,
riddled
with arrows, fire and flowers
the winding night, the universe.
And I, infinitesimal being,
drunk with the great starry
void,
likeness, image of
mystery,
I felt myself a pure part
of the abyss,
I wheeled with the stars,
my heart broke loose on the wind.
indian clerk
I also watched American Gangster a movie that aspires to greatness but does not quite reach it, let down by the lack of urgency in the narrative, the lack of exploration of right and wrong. Finally, Denzel Washington makes drug trafficking look far too attractive, and that edge of menace which was there in Training Day was missing here. And Russell Crowe, actually looked like a sweet cop, as opposed to a thuggish one. It was worth the watch though.
Sunday, November 04, 2007
end
Thursday, November 01, 2007
ideology
“It doesn’t do to dwell in fantasy, which is not the same as imagination. Imagination is the power to reshape reality, to find hope where there appears to be only despair. Imagination creates signs that speak of the future and bring it closer. Fantasy is in some ways its opposite. It is a form of despair that flees from reality rather than seeking to reshape it.
‘We had fed the heart on fantasies, the heart’s grown brutal from the fare”.- W.B. Yeats
This is true of all ideology.
I don't want to know you because you may destabilize my world.
Monday, October 29, 2007
change
Thursday, October 25, 2007
more
Other than that, I have been watching Sports Night (when in life-related doubt, watch Sorkin) and it is his first work and it is rawer than his other work but it still shows brilliance, sentiment of the best kind and intelligence and I'll take that these days in whatever form I can get!
But the problems of the world do concern me. It just seems, so overwhelming. We flit here from event to event from The Humanitarian Crisis in Darfur to The Role of Government in Capital Markets to Natalie Portman talking about Increasing Access to Microfinance (not kidding) to Celebrate Hillary's (the Clinton I mean) 60th Birthday to Renaming the Surge in Iraq. I know I sound stupid, but I have lost the ability to translate my horror and outrage at tyranny, war, poverty and disease and all I have at that thought is a bone-deep weariness.
The guy sleeping above me (I live on the first floor of a 3 storey house) snores really loud and I can hear it through my ceiling. He doesn't seem to be getting any more action though. Small mercies.
Saturday, October 20, 2007
roses
w bankers
Here is my theory about bankers and consultants (and of course all my friends are excused here as am I, having been one of these people and contemplating returning to the profession).
These people have too much money and too little time. They are by definition risk-averse, and also less motivated by social causes. They also have few interests outside of work besides purchasing larger homes and more luxurious holidays. (In fact, all that bankers do besides talk about work is to talk about their holidays in which they sleep besides the pool in some exotic location). Finally, and worst of all, their thinking is limited, box-like because that is how they are trained to think. By rejoining these professions, I would be losing everything that is unique about myself, or that forms a self-identity.
Sigh. If only choices were as simple as the above. Went to a reception last night at the Massachussetts State House (yes, the building of the golden dome for those who have watched the Departed) and it was bland and boring, so I got drunk on the free wine. Thrashed out in a drunken state the night prior, a memo on private operators of public infrastructure, which was rather a decent effort.
Am flirting briefly with the idea of doing a doctorate in English. Please someone, hammer some sense into my head before I become TOTALLY un-employable.
Wednesday, October 17, 2007
choices
" So I want to work for a nonprofit, preferably Teachers without Borders but I can't afford to pay off my loans on a salary of X, and so my plan is to write a best selling novel by May, get a massive advance and do that. After all, B and D spent their summers writing their novels. D's book is a horror story with a moral overtone, and B's book is autobiographical. How hard can it be? Then I can go to Cuba and teach salsa dancing which is what I really want to do".
Ah. Choices.
Tuesday, October 16, 2007
teaching
I tried but I do not understand at all what this question is talking about. Please go through this in class.
I am confused. Hence the question mark instead of an answer.
and my favourite
If only I can understand the English that is being used, I could at least make sense out of it. It sounds gibberish to me and I am not sure that I can begin to make sense of that sort of English. Thanks for your time.
Monday, October 15, 2007
the divine mr. northam
Saturday, October 13, 2007
possessed
Monday, October 01, 2007
HermitIsland, Maine
Thursday, September 27, 2007
unrelated things
I was talking to C today, a person who makes the darkest day glow with laughter.
"I know what I'm going to do. I'm going to apply to all these damn corporate jobs because I feel like I should, and I have loans and debt and when I finally I get my offer letter, after having gone through anal probes and coma-inducing case interviews, I'm going to look at it and then look at my wife and she'll say "Is this what you really want to do?" and I'll die a little bit inside and take the job".
Monday, September 24, 2007
youth?
Thursday, September 20, 2007
losing
a. ATM card. (Average loss of twice a year- to three times a year).
b. Mobile Phone (average loss of also twice a year)
c. Pen (Average loss of about five times a year). I have not lost this pen AT ALL. I only own one pen so it would be a disaster if I lost it.
I have also recently acquired a blackberry. Game over.
Sunday, September 16, 2007
The Journey By Mary Oliver
One day you finally knew
Wednesday, September 12, 2007
pathetic!
Sunday, September 09, 2007
back in beantown
Monday, September 03, 2007
enthee-yah.
Missing (terribly)
a) I never thought I would say this of all things, but I will miss the heat that sticks to you like silk, that smothers and frees.
b) The autorickshaw wallahs and the conversation about life, the movies and politics (in that order).
c) The television channels full of random masala songs of half naked women and men with brains the size of their pecs all in high-gloss high-blare fashion
d) The people, hospitality, kindness, graciousness, everything that is South Asian and Indian.
e) The food. Searing curries, larger than life organically grown vegetables (a tomato that tastes like a tomato, chicken that's been reared on whatever chickens eat in the wild)
f) Last, but not least, the head wiggle. Enough said.
Things I will safely un-miss until the next time
a) The pollution. Thought Colombo was bad but India takes it to another level.
b) Idlies. I hate the damn things and will not miss them for breakfast, lunch and dinner.
c) The redefinition of customer service. You know what I mean.
d) The revolution that the human body is capable of staging in India (i.e. the various things I have fallen ill with in such an impossibly short space of time). It is amazing biologically what can happen when things go wrong with the body. Emotional angst is no comparison to physical pain.
e) the total lack of privacy.
Friday, August 17, 2007
tamil cinema
« I’ve been thinking about number one most iconic moment for a long time. In my mind, it has to go to Nayakan, and the last scene, when he dies, shot, in a Godse-like moment, by his disciple, a child he had brought up himself. He dies, falling face forward, with his hands up, asking for forgiveness, that a court of justice has already given him, but God may deny him. And in that moment, his life is narrated in flashback, the compromises he has made, the soul he has sold in order to gain power and dispense his moral version of justice to those who are unprotected. Was it worth it? Was he right? Do the wheels of justice grind slow but exceedingly small?
« Number Two. Another Kamal Haasan moment. In Salangai Oli, when the woman he has loved has had her deserted husband come back, and his love is never spoken. And he turns to drink and his extraordinary talent is driven to waste. And on the plank of wood, above the well, he dances in the rain to one of cinema’s most evocative songs, and says, never expecting to see her again, naan vallkaiodu kovarm ellai, annal kaathal ennai kaathalikavillai. (I am not bitter with life, but love did not love me back). And she comes out in the rain, bereft and she extends her hand, and there is a flash of lightning and he sees her.
« Number Three: When Devaraj, the minor don asks Rajnikant (in the single best role in his life followed, perhaps by Baasha), why? Why did you give up your brother, your mother for me? Why? And he says, because you are my friend. And chills go down the spine. It is a very Lutheran stand: Here I stand, I can do no other. And it is both obvious and astonishing at the same time.
« (In the same film, is another moment, when Shobana tells him that her father wants to marry her off to someone else. And he asks, angry, was I the one who came and said I liked you? And he’s shouting at her, and she’s crying and she leaves him, walking through the cavern of two rocks, and she doesn’t turn back, and all his anger is a mask for how utterly bereft he is, sitting there as she walks away from him. )
« Great dramatic comic moment: In Agni Natchathiram, when Karthik is loafing, sitting smoking, one leg up on the parapet, arm lazily over an upraised knee, a leg dangling downwards, just loafing basically and Nirosha pulls up in her car, dressed in a tribute to Marilyn Monroe, and she leans over her steering wheel, with her dark skin setting off the white dress and hair cascading and mouths I love you. And he is so shocked, he nearly falls off the parapet and is like telling his friends and then she zooms off in her car and he gets on his motorbike and follows her (which is a funny twist on the typical guy going: I love you for no rhyme or reason).
Others?
seamus heaney
One of the most harrowing moments in the whole history of the harrowing of the heart in Northern Ireland came when a minibus full of workers being driven home one January evening in 1976 was held up by armed and masked men and the occupants of the van ordered at gunpoint to line up at the side of the road. Then one of the masked executioners said to them, "Any Catholics among you, step out here". As it happened, this particular group, with one exception, were all Protestants, so the presumption must have been that the masked men were Protestant paramilitaries about to carry out a tit-for-tat sectarian killing of the Catholic as the odd man out, the one who would have been presumed to be in sympathy with the IRA and all its actions. It was a terrible moment for him, caught between dread and witness, but he did make a motion to step forward. Then, the story goes, in that split second of decision, and in the relative cover of the winter evening darkness, he felt the hand of the Protestant worker next to him take his hand and squeeze it in a signal that said no, don't move, we'll not betray you, nobody need know what faith or party you belong to. All in vain, however, for the man stepped out of the line; but instead of finding a gun at his temple, he was thrown backward and away as the gunmen opened fire on those remaining in the line, for these were not Protestant terrorists, but members, presumably, of the Provisional IRA.
*
It is difficult at times to repress the thought that history is about as instructive as an abattoir; that Tacitus was right and that peace is merely the desolation left behind after the decisive operations of merciless power. I remember, for example, shocking myself with a thought I had about that friend who was imprisoned in the seventies upon suspicion of having been involved with a political murder: I shocked myself by thinking that even if he were guilty, he might still perhaps be helping the future to be born, breaking the repressive forms and liberating new potential in the only way that worked, that is to say the violent way - which therefore became, by extension, the right way. It was like a moment of exposure to interstellar cold, a reminder of the scary element, both inner and outer, in which human beings must envisage and conduct their lives. But it was only a moment. The birth of the future we desire is surely in the contraction which that terrified Catholic felt on the roadside when another hand gripped his hand, not in the gunfire that followed, so absolute and so desolate, if also so much a part of the music of what happens.
lage raho munnabhai
Can't wait to watch the first Munnabhai M.B.B.S.
Thursday, August 16, 2007
ending
I wish someone had told me that earlier. But I feel like the orthogonal change in my life is somewhat progressing towards this truth. I only wish I had more diligence and discipline to chart it so.
Only two more days to go in proper employment and then freed, again, to travel, to rest, to learn and to think.
I never promised you a rose garden.
Wednesday, August 15, 2007
hmm.
Tuesday, July 31, 2007
omkara
Monday, July 23, 2007
shantaram
"The voice, Afghan matchmakers say, is more than half of love".
" The past reflects eternally between two mirrors- the bright mirror of words and deeds and the dark one, full of things we didn't do or say"
"Sometimes you break your heart in the right way"
Thursday, July 19, 2007
i love india
I know its a tired cliche, and I've hated it on many an occasion too, but I actually adore the subcontinent. Who would've even thought for a second that I could live anywhere else except in this part of the world now that I have made it here? Of course I still think Sri Lanka is god's gift to planet earth, and that Eden like it has never existed before or after (and like Eden, its inhabitants are similarly cursed, but it seems as though wars are always fought in paradise). Am off to Delhi tomorrow for a week, and the bustling pitch of the north can be compared to the south, and the exuberant hindi spoke on the streets will ricochet off the extreme poverty (more so than in the South) and maybe I'll venture out to some teak/jasmine/coconut/rubber plantations armed with a survey and ask them ridiculous questions and maybe I'll fall in love with life all over again, because its home, and this craziness will always be home. And tonight I am going to watch shivaji and it'll be awesome and nothing in my life will capture my senses as much as an indian film, and that too a tamil film!
and a google quote seems particularly apt: play: work that you enjoy doing for nothing. which is exactly what I'm doing.
Friday, July 13, 2007
excerpt
In the monsoon season of 1970, I boarded the MV Keningau in Singapore bound for Borneo. The ship was small, not much bigger than a ferry, the inexpensive way for rubber-tappers and their families to travel to the plantations of East Malaysia. They were down below - hundreds of them, off to work. I was sailing to Kota Kinabalu, for the fun of it, and also to climb Mount Kinabalu. In a few months, my wife would be giving birth to our second child, and this was a selfish and solitary jaunt, before I became fully engaged as a father of two. I also had the notion that this solitude would help me in my writing project at the time, a novel with the provisional title Saint Jack, about a middle-aged American who dreams of getting rich in Singapore. In my small bag with a change of clothes were my notebooks and my book for the trip, a hard-cover copy of VS Naipaul's novel A House for Mr Biswas. Because there were so few of us in first class, we all ate together: the captain's wife and his son; a planter's wife, part-Malay, and her small son, in the cabin next to mine; and a Tamil lawyer, travelling on his own - he was about my age, which was 29. What seems like a cast for a Maugham story was in fact a pleasant and sedate group. The captain and his family were friendly people but all of them chewed food with their mouths open, a family trait I have never encountered anywhere else. Some evenings, I played cards with the Tamil and the planter's wife, usually the game of Hearts. Then I became engrossed in the Naipaul novel, slipped into the life of the Tulsi family and its odd-man-out, Mohun Biswas. The novel is without mannerisms, seems almost not to have a style, yet is so detailed and humane, it offered me a whole world; and as with the greatest novels, it made me care. I memorised a paragraph beginning "The mind is merciful . . ."
"Paul's laughing," the planter's wife said from the card table.
"At a book!" the Tamil said.
I hardly noticed the voyage. Most of the time, I was in Trinidad with Mohun Biswas and Anand. I was dismayed that in a day or so I'd be finished with the book, and I thought - as young writers do - I could never write this. But the passion of this novel helped me see that I had my own novel to write.
Wednesday, July 11, 2007
Oct 20 2004
Today, my world changed and my life was dragged along with it. It wasn't a big dynamic change, announced with lightning and moving tectonic plates, as one would imagine these things were. It was instead, a shifting of sands. The world as I knew it fell away from me for an instant, and when the clouds had stopped blurring everything was the same again, although imperceptibly changed. I had finally discovered who I was, and who i could never be again. I was a writer.
Whether time would tell me if I was good or not was irrelevant. Today I found out who I am. Whatever I had expected upon attending his reading, I had not expected this. I had not expected this instant awareness, this instant attraction. I felt as though upon meeting him, an old memory of mine was rewoken. I felt as though I had known him my whole life and I felt as though I had the rest of my live to devote to him. It is known that I am particularly susceptible to passions. But I knew his body too,his vigour, his quick movements belied the hyperawareness of a man not used to people or to society. A man uponst whom everyone else necessarily imposed themselves on. A man who I had fallen in love with when i was 16.I know that all this will seem incredibly fanciful, and melodramatic. A writer has to write a story about everything and this will seem one in a thread of many. but believe me when I say this, I had not expected this. I had expected to be provoked, to be stimulated, to see the head that had produced lines that were never to be forgotten,etched into my awakening mind at 16. I had not expected this... absolute knowledge.I could not take my eyes off him. He was home, as in Sri Lanka, a land he knew better than me, a land that he had written about much more evocatively than I could ever hope to do so, he represented the West, and its voices, but most horrifically of all, the thing I did not expect, was that he represented a Dutchman living in Asia. Of which all had one in common, the same alert piercing eyes, the same uneasiness with which they integrated into society, the same hesitance before they spoke ofthemselves. He reminded me most of someone I had once known deeply, of Home, of the war and of the book that had changed my life.
All this I could not tell him, although I wanted to. For the first time that evening he spoke of himself. And I could tell after he spoke, for he ended abruptly as though having spoken more than he had wished to, that it was as surprising to him as it was to me. He spoke of how he had started to write another novel set in Sri Lanka, but the voice and the structure was similar to Anil's ghost and so he had stopped. He spoke also of how he had gone back, how he had gone back after Anil's Ghost and how he would always continue to go back.I could no longer speak. The man's voice when he read of the history of stones, of writings in leaves of palimpsests, of genesis,of lives in Polonaruwa and places I thought only I knew about, for none of my friends or people knew this except my parents. And he said something that he didn't say to anyone else, this man of few words, this man who said it took him 2 years to read his own book out to the public because that was how long it took him to be comfortable with the own characters he had written. The man who had refused to talk about the work he was currently engaged on.Perhaps I am romanticizing as I am wont to do. but this encounter, I can only tell you in this moment, my life changed. I had gone into that room, thinking of being a writer, and I had come out, knowing that I wanted to write something that he would be proud of.
ode to studio 60
another day in madras and I don't want to leave. prospects of clubbing madras style tonight. Yeah! any excuse to drink imported liquor at exorbitant prices, spend the night at the friend's place because I have a curfew of 10pm and wake up to die another day. And my eye is improving so I don't look like something out of a porn/horror film. Nice.
Tuesday, July 10, 2007
mumbling
I'm tired. and i want to lay down somewhere and i want the universe to stop spinning and I want the earth to slow down and I want to read and mull and not do much of anything else. except I have always dreamt of thinking, of having time to think, of walking and thinking and sleeping and thinking, but I only at best, have an hour to think everyday and that too only because I refuse to come to work after I get up and I lie in bed after a shower, with the fan whirring, thinking.
reading the reluctant fundamentalist now and while it is delicate it is not subtle and neither is it revelatory but resorts to narrating the cliched experience of fundamentalism, painting Princeton on top of it does not change it, nor imbue it with gravitas. madras is lulling me constantly to sleep and think I have also developed a mild version of madras eye. on another note, a conversation or two does not actually change reality, even if it offers the brief hope of choosing an alternate reality, yet in that choice between vectors, a whole host of other inevitables are at play and one can change some, but as lincoln said you can fool some of the people all the time and all of the people some of the time, but you can't fool all of the people all of the time. likewise with one's self-awareness and the inevitability of certain behaviours at the ripe old age of 26.